light and reflections, surrealism

light reflections in the wind

Bruno Paolo Benedetti

two seagulls flying on light reflections on dark background dream landscape with two seagulls flying on a shining light flow pushed by the wind on a dark backround. Limited edition print 1 of 100 on metallic paper size 20×30 inches

This artwork is inspired by the Sanskrit name of Samira.  The name Samira has its known origins in Arabic and Sanskrit. It is a name of Goddess Durga and Lord Hanuman: Lord Hanuman is also known as Sameerudu (the name given to him while he was carrying the Sanjeevani mountain) from which the name Sameera is said to be derived. In the Arabic language the name was connected with the wind. The Goddess Durga is one of the three Jogin,i with Kali and Parvathi, expression of the Shakti, the femal strenght of the universe, connected with their husband Shiva. This artwork was inspired by a woman called Samira, and with this artwork I wanted depict the purity and the strength of the wind as the breath of the…

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articles, bruno paolo benedetti

surrealism and symbolism: a way to depict cultural and religious archetypes

emerging colored pyramid in light, surrealism photography
emerging colored pyramid in light, surrealism photography

 

In the surrealism photography the image can hold a conceptual and symbolic value, in contrast with non objective photograpy, where the image interpretation depends on  the watcher imagination. It takes the place or better can be used along the symbols of the world cultures. We have symbols like Swastika, Cross, Moon, Sun, and many others used by official religions and mystic movements, related to a specific meaning. The two swastikas toghether simbolise the equilibrium, the cross the rebirth and the Moon, in the islamic religion, has different meanings depending on its color. All these symbols evoque, in their culture and religion, a specific sensation, message. So through the surrealism photography we can create images transmitting messages as well. The depicted situations, landscapes create a dream world which makes our imagination working. We start from the rational sphere, given by a recognizable image for reaching the emotional sphere.

We can say that, in the photography based digital art, non objective artworks adress to the emotional sphere and the surrealism picture to both  emotional and rational spheres. In the surrealsim photography the watcher sees a well-definied image with more recognizable elements.

This is of course one of the possibilities to use the  surrealism photography.  I don’t say that this is the surrealism photography, but that is a good possibility to represent concepts up to know transmitted only by symbols.

 

Bruno Paolo Benedetti